You can’t look around when you’re looking up, so we’ve had a look around for you.
If you have cloud news that you think we should include here, please email it to us at: hello@cloudappreciationsociety.org.
Society founder, Gavin Pretor-Pinney, was asked by Tate Britain (London) to come to the gallery and discuss the clouds in some of the paintings in their collection. Amongst others, he mentioned cloud painting masters such as Constable and Turner as well as a painting that looks like it should be on the side of a Harley Davidson…
At the end of July, the Cloud Appreciation Society put on a free exhibition of a selection of the photographs from our new book ‘A Pig with Six Legs and other clouds from The Cloud Appreciation Society’ at the Port Eliot Literary Festival in Cornwall, UK.
During the festival we set a competition for festival goers to take photographs of clouds in the shape of things during the weekend. The results were judged and awarded prizes at a star-studded, Oscars-like ceremony at the end of the weekend. Society founder, Gavin Pretor-Pinney, presented the gold and silver cloudspotting award trophies (see right). Luckily the recipients didn’t realize until they had returned to their seats that these were in fact made out of rubber toilet plungers, sprayed with sparkly paint.
br> Society founder, Gavin Pretor-Pinney, is presenting some short TV segments on cloudspotting to be shown on UK television at the beginning of August. There are five 3-minute pieces, which will appear in BBC1’s The One Show (BBC1, weekdays, 7pm) on the dates shown below. Each one focuses on a different cloud type, starting with Cumulus and ending with Noctilucent clouds.
Cloudspotters in the UK who are interested should watch The One Show on these days:
br> It is not everyday that you’ll find The Cloud Appreciation Society petitioning for FEWER clouds, but that is exactly what we have just done on a UK Government website.
We signed up to a petition urging the Prime Minister to take positive action to counter the increasing proliferation of aircraft condensation trails – the long man-made clouds that form behind high altitude planes.
There is a growing body of evidence to suggest that contrails result in increased levels of high cloud, which tend to trap in the sun’s heat, increasing surface temperatures in the regions they cover. Lower clouds have the opposite effect – of reflecting away much of the sun’s radiation. Indeed, the effect of all cloud types taken as a whole, seems to be a cooling one. The tendency of contrails to spread out and lead to increased levels of high, ‘cirriform’ clouds is in danger of distorting this effect.
Aircraft do not always need to fly at contrail-producing altitudes. It might be possible to limit cruising altitudes with air-traffic ceilings based on the atmospheric conditions, in order to reduce the effects of cloud formation without overly increasing fuel consumption. Organised by Shabra Dowson, the petition states:
“We, the undersigned, petition the Prime Minister to seriously consider using air-traffic management to keep European aircraft outside of contrail-forming regions of the atmosphere. Reducing contrails would bring an immediate reduction in high clouds with a corresponding immediate decrease in global warming.”
We encourage any members and visitors who are UK citizens to add their names to the petition and call for measures to reduce these man-made clouds. Over 200 names on the list by October 2007, and the govenrment will have to give a response.
Many of our members have been in touch to tell us about Ewa Wisnierska, the German paragliding champion, who had the misfortune of being sucked up into the heart of an enormous Cumulonimbus storm cloud. They all pointed out that the incident had much in common with that of Colonel William Rankin in the 1950s, described in The Cloudspotter’s Guide, in which he had to eject from his jet as he was flying over the top of a storm cloud, only to have the horrific experience of falling down through the middle of it.
Wisnierska’s ordeal happend near Manilla, in Australia’s New South Wales, on 14 February 2007, while she was training for the upcoming Paragliding World Championships. She was sucked towards the enormous Cumulonimbus by the strong air currents that flow up the centre of these storm clouds, and lost consciousness as she disappeared into the middle of it, rising at a rate of 20 meters per second. Her equipment recorded that she was sucked up to an altitude of 32,612ft, higher than Mount Everest.
Wisnierska was unconscious in the cloud for more than 40 minutes, during which time she was battered by hailstones the size of oranges and subjected to temperatures of -40 to -50 ˚C.
He Zhongpin, a Chinese paraglider, was also sucked into the cloud and, tragically, was found frozen to death 75 kilometers from his launch location.
Suffering from severe frostbite, Wisnierska nearly lost her ears in the ordeal. “From the theory, I knew the chances to survive are almost zero,” she later told the press, “I knew I can only have luck, I can’t do anything – and I got it.”
Read an article on the incident from The Age newspaper: www.theage.com.au
We have often wondered about the particular way that clouds form in the Cantabrian Mountains of Northern Spain. So we were very pleased to receive an email from a Franco Ferro, of Italy, to tell us that they are in fact made by ‘El Nubero’.
He is a character, described in the folklore of the Asturian region of Spain, who is responsible for making the clouds.
We were amazed and impressed that Franco was able to capture this rare snapshot of El Nubero.
On 25th April 2007, NASA launched a satellite to study the Earth’s highest clouds. Now orbiting at an altitude of 375 miles, the AIM satellite (which stands for ‘Aeronomy of Ice in the Mesosphere’) is the first to be dedicated to the observation of the most mysterious of all the cloud types: Noctilucent clouds.
These clouds typically form at altitudes of between 30 and 50 miles, in a region of the atmosphere called the mesosphere (the one above the stratosphere). They are therefore way higher than most clouds, which tend to form in the lower 10 miles of the atmosphere. Being so far up, Noctilucent clouds catch the sunlight well after sunset, and so can shine bright against the darkening sky. They tend to be bluish-white, with a beautiful rippled texture. Their name is Latin for ‘night-shining’.
We know very little about how and why Noctilucent clouds form and scientists are keen to find out more since. Traditionally seen only towards the poles, they are now being observed at lower latitudes and more frequently than ever before. This has led some scientists to speculate that they are indicators of global climate change. Hence the AIM satellite mission.
Richard Parnell, Member 7750, has written to tell us of evidence of cloudspotting amongst western lowland gorillas that he observed during a three-year field trip to study them in Congo, Africa.
Richard was observing gorillas from a hide next to a jungle clearing. A family emerged from the foliage and began to make their way across the clearing. After just a few steps out out into the treeless swamp, one juvenile gorilla happened to look up. She suddenly cringed and raced back into the jungle. A few moments later she reemerged, only to look up again and show exactly the same startled reaction.
“I half expected to see a large eagle circling,” Richard told us, “but stepping out from under my tarpaulin canopy, I was rewarded with this fabulous sky, which was undoubtedly the cause of the young gorilla’s alarm.”
Clearly, the incident points towards a remarkable evolutionary development for the gorilla species: their ability to react emotionally to cloudscapes. This gorilla’s reaction may not have been quite the one we’d have hoped for, but it is perhaps forgivable. No doubt, if you were the first of your species to behold the drama and beauty of the Cirrocumulus undulatus cloud, you too would be in a state of shock.
Are you a teacher who would like to make more use of the sky in your classes? ‘For Spacious Skies’ is a US organisation set up to encourage the use of the sky as an educational resource.
They produce an activity pack, with vaulable ideas and resources for teaching sky awareness to children. We think this is a very worthwhile endeavour. According to a study by Harvard’s Graduate School of Education, the incorporation of the guide into educational programs has been shown to increase visual arts and literary skills.
Jack Borden, the founder of For Spacious Skies, argues that people who are sky-aware have five advantages: they are environmentally protective; aesthetically sensitized to the world; spiritual, having more of a sense of wonder about them; mellower, and more receptive to information related to the atmosphere. Who can argue with that?
‘Hole punch clouds’, also known as ‘fallstreak holes’, occur when patches of high cloud freeze and fall as ice crystals, leaving a dramatic gap behind. You can see examples of fallstreak holes in our cloud photography gallery.
The formations only appear in cloud layers consisting largely of ‘supercooled’ water droplets. These remain liquid even though temperatures are often well below freezing point. They are unable to freeze without airbourne particles, known as ‘freezing nuclei’, on which to get started. Sometimes there just aren’t enough of these particles floating around in the atmosphere for droplets to turn into ice crystals. In these situations, the introduction of suitable nuclei into a region of supercooled cloud can make it freeze and fall below. The particles in airline exhausts can serve as freezing nuclei, as can ice crystals themselves, falling from Cirrus clouds above.
Peter Roper, Cloud Appreciation Society Member No. 5840, alerted us to this NASA image of hole punch clouds photographed from space. The lines are caused by aircraft flying near to the cloud. The holes are probably due to Cirrus falling from above.
NASA’s Mars Expolration Rover turns out to be a robot with a penchant for cloudspotting. In October 2006, during a routine communications pass, it filmed some of the red planet’s clouds and gave us a glimpse at how cloudscapes on Mars compare to those on Earth.
The formation that it photographed looks much like the patches of ice crystals that we call ‘Cirrocumulus’. We have yet to learn the Klingon translation.
Ancient Hindus and Bhuddists believed that elephants are the spiritual cousins of clouds and possess the power to encourage the clouds to form and bring rain. We have always thought that this is why so many people seem to see elephant-shaped clouds.
However, scientists at the Georgia Institute of Technology have found evidence to suggest that, rather than elephants, it is microscopic phytoplankton that actually posses the power to bring clouds. They found that increases in cloud cover over the Southern Ocean, around Antarctica, corresponded to a large bloom in the population of the sea organisms. It seems that the phytoplankton emit chemicals which find their way up into the atmosphere and act as microscopic nuclei onto which the cloud droplets can form.
If you want to know more: http://www.gatech.edu/news-room/release.php?id=1183
On 28th April 2006, two NASA satellites, called CloudSat and CALIPSO, were launched into orbit 438 miles above the Earth to get a better view of the clouds. Whilst this may sound like a rather expensive indulgence for the cloudspotters of the science world, it begins to make more sense when you learn that clouds are the wildcards in climate change.
Will a warming planet lead to more or less cloud cover? Will any changes in the amount and type of cloud contribute to, or lessen, global warming? The new satellites should help scientists’ quest for answers.
CloudSat will profile the clouds with an extremely sensitive radar to determine how much water they contain and whether this is in the form of droplets or ice crystals. It will help clarify basic questions about how clouds form rain and snow, as well as how they affect the Earth’s climate. CALIPSO will provide data about the amount of microscopic ‘aerosols’ in the atmosphere, such as man-made pollution, volcanic ash and mineral particles. These affect how the Sun warms the planet and also play a cruical role in cloud formation.
Finally, we might learn how clouds react to a warming planet.
To read more about CloudSat: http://cloudsat.atmos.colostate.edu/home
To watch videos of the launch: http://www.nasa.gov/mission_pages/cloudsat/launch/calipsocloudsat-allvideos.html
He was one of Britain’s best cloud painters, and described the sky in his landscape painting as ‘the keynote… the chief organ of sentiment’. This means that the new John Constable exhibition opening at the Tate Britain, in London, is a must see for any cloudspotters finding themselves in the capital. The show brings together, for the very first time, all of the artist’s six-foot landscape canvases and includes 65 works in total.
Constable: The Great Landscapes is showing at Tate Britain from 1 June till 28 August 2006: http://www.tate.org.uk/britain/exhibitions/constable/
Stretching over 12,000 square kilometers, the Salar de Uyuni in Bolivia is the largest salt lake on the planet. It is also one of the best places in the world to go cloudspotting. For brief periods during the rainy season, the salt lake becomes flooded with a layer of water just a few centimeters deep. This turns it into an enormous mirror of the sky, reflecting the clouds above to make you feel like you are suspended in the mid-heavens.
Argentinian artist, Tomas Saraceno, used an array of 32 cameras to film a panoramic view of this cloudtopia. His film is currently being projected along the eighty-meter wall of the Curve Gallery in London’s Barbican Centre.
Now we know what heaven looks like.
Visit The Barbian to see Tomas Saraceno’s art installation (until 16th July): http://www.barbican.org.uk/artgallery/event-detail.asp?ID=4107
We always love a cloud with a name. This thunderstorm complex is well known by scientists interested in tropical meteorology, as it forms on a daily basis at certain times of year over the Tiwi Islands, off the north coast of Australia.
It forms on almost a daily basis during the transitional months of Nov-Dec and Feb-March, which makes it a perfect subject for meteorologists studying the development of Cumulonimbus clouds.
Mighty thunderclouds like this are estimated to harness the power of ten Hiroshima-sized bombs. Stretching up to 20km into the atmosphere, it is clearly visible from Darwin, over 100km away. We are very pleased that such an awe-inspiring and ferocious a monster as this has been christened by the locals with a name like Hector.
Many thanks to Tim Garrett for sending the photos in.
Conscious of increasingly frequent and wide-spread observations of Noctilucent clouds (see May’s Cloud of the Month), scientists have speculated as to whether this extremely high ice cloud is an aerial indicator of our contribution to climate change. Forming at altitudes of between 30 and 50 miles up, these clouds might be appearing more often due to increased levels of greenhouse gasses. But until we know how these mysterious clouds form and why they appear to be more common, all scientists can do is speculate.
That is about to change, however. NASA’s ‘AIM’ satellite, due to be launched later this year, should shed new light on this beguiling cloud formation.
More info about the AIM mission: http://aim.hamptonu.edu/
More info about Noctilucent clouds: http://science.nasa.gov/headlines/y2003/19feb_nlc.htm
Annie Leymarie (member number 828) tells us that Station Luxembourg in Paris is covered in clouds. Artist, Sandrine Alouf, has created a photographic installation, which runs along the RER B platforms of the station. “By showing clouds on the Paris Metro,” explains Alouf, “I intend to give them a new life and to create an installation of visual poetry.” Can’t argue with that. http://www.a-ciel-ouvert.com/
Do you live in a dungeon without a window? Don’t worry – you can still enjoy the gentle drift of cumulus by tunrning your TV into a tool for meteorological meditation.
‘Colorcalm Skies’ is a DVD of ever-changing, calming cloudscapes to play in the background as you practice your yoga, realign your chakras or just have a row with your partner. You can choose from a range of different coloured backgrounds and music to suit your mood. Stop watching Big Brother and turn your TV into a temple to cloudgazing.
Colorcalm Skies is available from: http://colorcalm.com/main.php
Just when you thought you had to go all the way to Cape Town, South Africa, to see the famous Tablecloth Cloud that forms on top of Table Mountain, some kind fellows have put up a 24-hour webcam. You can watch this ‘orographic’ cloud spread out across the mountain plateau from the comfort of your home. Essential viewing for lazy cloudspotters.
Go to the Table Mountain webcam at http://midafricam.co.za/main/content/view/16/39/lang,en/
A computer game with no winners and losers? One in which you just fly around making clouds? It can only have come from students at the University of Southern California, dude… http://intihuatani.usc.edu/cloud/
Those who yearn for a little more depth to their cloud photographs should take a look at the 3D photography of Luc de Rop, a member from Sinaai, Belgium. Finally, something worthwhile to look at with those silly glasses that you saved from the back of a cereal packet*…
Go to Luc de Rop’s site
* You can also get the 3D effect with the use of a small mirror.
Every cloudspotter should be familiar with the sage words of the english Victorian art critic, John Ruskin, so we have put up an
excerpt from ‘Modern Painters’ in which he wonders, as do we, why people don’t look up more…
March 13th sees building work begin on the Italian Government’s Congress Centre in Rome. Suspended in the centre of the new building, which is designed by the Roman architect, Massimiliano Fuksas, will be an enormous ‘cloud’ made of teflon. The cloud will glow from within, and will contain an auditorium.
This will hold up to 1800 people. Nevertheless, we feel it necessary to warn the local government that there will be chaos when every 5-year-old in Rome turns up and wants to go inside to finally see what it’s like to stand inside a cloud. more info and images…
Wilson A. Bentley, attracted world attention with his pioneering work in the area of photomicrography, most notably his extensive work with snow crystals (commonly known as snowflakes). By adapting a microscope to a bellows camera, and years of trial and error, he became the first person to photograph a single snow crystal in 1885.
To read about Bentley, visit: http://www.snowflakebentley.com/index.htm
We have recently seen a sneak preview of a new photography book called ‘Recognize’ by Glen E. Friedman.
Legendary photographer, Glen E. Friedman, made his name in the 1980s photographing the likes of the Beastie Boys (when they were just an emerging talent) and the cream of rap artists on Def Jam recordings. His photography books include ‘DogTown – The Legend Of The Z-Boys’, charting the emergence of skate culture in West Coast America, and he co-produced the seminal feature-length documentary on the same subject, ‘DogTown and Z-Boys’.
We are very pleased that Friedman should turn his attention to photographing our fluffy friends in all their respendent glory. The shots are, pure and simple, majestic cloudscapes unsullied by any piffling little distractions like the ground.
Recognize by Glen E. Friedman is published in the US, and available from amazon.com. We highly recommend it.
We were sent a book called ‘Wind Blown Clouds’ compiles by Alec Findlay. With it, he sent the following message:
‘Since 1999 I have run an artist participation project titled Wind Blown Clouds, collecting slide photos from around the globe.I am about to publish a 228 page anthology of them (Wind Blown Clouds) with Rizzoli in NYC. This also features some haiku about clouds.’
and invited cloud photographers to contribute:
‘You are invited to contribute to an anthology of ‘wind blown clouds’. Take a colour slide-photograph of a wind blown cloud. Include
a note of the date and place the slide was taken, your name and postal address.
There is no limit to the number of clouds that you can submit. The clouds will appear in a forthcoming anthology.’
Alec Findlay,
morning star
Off Quay Building
Foundry Lane
Byker
Newcastle-upon-Tyne NE6 1LH
alecfinlay@yahoo.com
Ever looked out the window and wished you knew the name of the clouds looking back at you?
Of course you have.
Well, help is at hand – in the form of The Skywatcher’s Cloud Chart. With photographs and captions by John A Day, author of The Book of Clouds, it is the chart of choice for the American Meteorological Society and the Weather Channel, and a worthwhile addition to any cloudspotter’s wall.
Following extensive and hard-nosed negotiation, members of The Cloud Appreciation Society can buy it from Jack Borden’s For Spacious Skies website at the reduced price of $11.45 + postage. For those in the US, that means a total of $13.95. It is large, laminated and sent in a sturdy cardboard tube so, for members outside of the US, postage is considerably more.
Inspired by Marc Kremers’ sky diary (see below), Valeska Oostrum has started her own, showing the skies above her home village of De Lier in The Netherlands (it is between Rotterdam and The Hague).
You can visit Valeska’s sky diary here.
Marc Kremers, from London, kept a ‘sky diary’ last year. He used his camera phone to take a snap of the sky above him about four times a day over a period of several months. He wanted to see just how grey the skies over London really were, and to record how they changed with the seasons. The results of Marc’s sky diary are here: http://tex-server.org/work/photographs/phone
/t610/theskyabovemarc/index.html
What a great idea. We’d love to see similar records of the skies above other cities of the world. If cloudspotters feel inspired to use camera phones to record their own sky diaries and they put them online as Marc has, we’ll add a link for others to see.
Send your sky diaries to:
hello@cloudappreciationsociety.org
The question of what music to listen to while gazing at the clouds has finally been solved. Nicolas Reeves, a professor at the University of Quebec in Montreal, Canada, has invented The Cloud Harp – an instrument that creates music from the shape of the clouds above it. So far, it has played in six cities around the world – Amos and Montreal (Canada), Lyon (France), Hamburg (Germany), Gizycko (Poland), and Pittsburgh (US).
When the sky is blue, the harp is silent, but with the first appearance of clouds above it, the music begins. “It uses a lidar,” explains Reeves, “which is a laser beam directed at the clouds. Whatever bounces back to the instrument is measured and gives us an idea of the brightness of the cloud, as well as its height.” A controller, known as a ‘cloudist’, configures the instrument so that this information triggers and controls particular musical sounds. He then leaves it to play the music of the clouds to passers by.
Sometimes musicians are brought in to provide orchestrations by recording the samples that the harp plays.“It means that we can play the clouds of St Louis, Missouri, through an arrangement by Helmut Finski of Montreal,” explains Reeves.
In Amos, in Northern Quebec, the Cloud Harp was installed in the clearing of a park, surrounded by trees. “When there was a full moon,” Reeves remembers, “people brought their sleeping bags and stayed the night next to the harp. They just lay there listening to the clouds – it was fantastic.”
We were very excited to be contacted by the one and only John Day of Oregon, USA. He is commonly known as the Cloudman, as he has devoted his latter years to photographing, enthusing about and explaining the clouds. His website is full of fantastic images and information. We recommend it highly.
Indeed, eagle-eyed cloudspotters will notice that society founder, Gavin Pretor-Pinney, was filmed reading John Day’s book in the first of his short programmes about clouds and the Morning Glory. The fact that he fell asleep having read it should not be taken as evidence that it is anything other than a great book.
Visit John Day’s website:http://www.cloudman.com
Soon-to-be-member, John Diefenbach, is based in Japan and has filmed the world’s last mainline steam trains, which operate in Inner Mongolia. Filming in mid-winter, with temperatures down to -30C, the steam effects, in some cases, are spectacular. We told him that we are cloudspotters, not train spotters, but it is fair to say that there is not much difference between what comes out of the train’s funnel and a time-lapse image of a cumulus cloud. Similar to the case of the UPS cloud stamps mentioned below, John’s films will be the ultimate for cloud enthusiasts who are also train nerds.
See John’s films at: http://www.bachsitetoo.com
We were contacted recently by the venerable Jack Borden, Boston TV news reporter turned sky enthusiast. At the age of 45 he woke up from a nap in a nature preserve to see a sky he had never experience in all his previous life. “In a millisecond I saw more of the sky than in all my life to that point,” he says. He decided to quit his job and become a missionary of the sky. For Spacious Skies is the campaign he’s been running for twenty years or so to get school children and everyone else to pay more attention to what’s going on above us. http://www.forspaciousskies.com/
If you are a cloudspotter who collects stamps, prepare to have an orgasm. The US Postal Service has issued a set of stamps starring fifteen different types of cloud. All basic genera are featured except, that is, for the nimbostratus. But then it is a bit of a wet, wingey cloud, so we guess it’s fair enough.
There’s nothing quite as mesmerizing as watching time-lapse clouds.
We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. By clicking “Accept”, you consent to the use of ALL the cookies.
This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. These cookies ensure basic functionalities and security features of the website, anonymously.
Cookie
Duration
Description
aelia_cs_selected_currency
1 day
This cookie is used to enable the currency selector functionality of our website.
aelia_customer_country
session
This cookie is used to enable the currency selector functionality of our website.
cookielawinfo-checkbox-advertisement
1 year
Set by the GDPR Cookie Consent plugin, this cookie is used to record the user consent for the cookies in the "Advertisement" category .
cookielawinfo-checkbox-analytics
11 months
This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Analytics".
cookielawinfo-checkbox-functional
11 months
The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional".
cookielawinfo-checkbox-necessary
11 months
This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary".
cookielawinfo-checkbox-others
11 months
This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other.
cookielawinfo-checkbox-performance
11 months
This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Performance".
PHPSESSID
session
This cookie is native to PHP applications. The cookie is used to store and identify a users' unique session ID for the purpose of managing user session on the website. The cookie is a session cookies and is deleted when all the browser windows are closed.
viewed_cookie_policy
11 months
The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. It does not store any personal data.
Functional cookies help to perform certain functionalities like sharing the content of the website on social media platforms, collect feedbacks, and other third-party features.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Cookie
Duration
Description
__utma
2 years
This cookie is set by Google Analytics and is used to distinguish users and sessions. The cookie is created when the JavaScript library executes and there are no existing __utma cookies. The cookie is updated every time data is sent to Google Analytics.
__utmb
30 minutes
Google Analytics sets this cookie, to determine new sessions/visits. __utmb cookie is created when the JavaScript library executes and there are no existing __utma cookies. It is updated every time data is sent to Google Analytics.
__utmc
session
The cookie is set by Google Analytics and is deleted when the user closes the browser. It is used to enable interoperability with urchin.js, which is an older version of Google Analytics and is used in conjunction with the __utmb cookie to determine new sessions/visits.
__utmt
10 minutes
Google Analytics sets this cookie to inhibit request rate.
__utmz
6 months
Google Analytics sets this cookie to store the traffic source or campaign by which the visitor reached the site.
peepso_last_visited_page
30 minutes
This cookie is used by the Community pages of our website to remember the last page you visited.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics the number of visitors, bounce rate, traffic source, etc.
Cookie
Duration
Description
CONSENT
16 years 3 months 7 days 8 hours
YouTube sets this cookie via embedded youtube-videos and registers anonymous statistical data.
sbjs_current
5 months 27 days
This cookie is to identify the source of a visit and store user action information about it in a cookies. This is a analytic and behavioural cookie used for improving the visitor experience on the website.
sbjs_current_add
5 months 27 days
This cookie is to identify the source of a visit and store user action information about it in a cookies. This is a analytic and behavioural cookie used for improving the visitor experience on the website.
sbjs_first
5 months 27 days
This cookie is to identify the source of a visit and store user action information about it in a cookies. This is a analytic and behavioural cookie used for improving the visitor experience on the website.
sbjs_first_add
5 months 27 days
This cookie is to identify the source of a visit and store user action information about it in a cookies. This is a analytic and behavioural cookie used for improving the visitor experience on the website.
sbjs_migrations
5 months 27 days
This cookie is to identify the source of a visit and store user action information about it in a cookies. This is a analytic and behavioural cookie used for improving the visitor experience on the website.
sbjs_session
30 minutes
This cookie is to identify the source of a visit and store user action information about it in a cookies. This is a analytic and behavioural cookie used for improving the visitor experience on the website.
sbjs_udata
5 months 27 days
This cookie is to identify the source of a visit and store user action information about it in a cookies. This is a analytic and behavioural cookie used for improving the visitor experience on the website.
vuid
2 years
Vimeo installs this cookie to collect tracking information by setting a unique ID to embed videos to the website.
Advertisement cookies are used to provide visitors with relevant ads and marketing campaigns. These cookies track visitors across websites and collect information to provide customized ads.
Cookie
Duration
Description
IDE
1 year 24 days
Google DoubleClick IDE cookies are used to store information about how the user uses the website to present them with relevant ads and according to the user profile.
test_cookie
15 minutes
The test_cookie is set by doubleclick.net and is used to determine if the user's browser supports cookies.
VISITOR_INFO1_LIVE
5 months 27 days
A cookie set by YouTube to measure bandwidth that determines whether the user gets the new or old player interface.
YSC
session
YSC cookie is set by Youtube and is used to track the views of embedded videos on Youtube pages.
yt-remote-connected-devices
never
YouTube sets this cookie to store the video preferences of the user using embedded YouTube video.
yt-remote-device-id
never
YouTube sets this cookie to store the video preferences of the user using embedded YouTube video.