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Michael Lerch
ParticipantGathering Chaos
Michael Lerch
ParticipantCloudscape#52
Michael Lerch
ParticipantAsperitas Worry
Michael Lerch
ParticipantArizona Sunset #41
Michael Lerch
ParticipantNice organic feel to that pic Hans.
Mid Day Rise
Michael Lerch
ParticipantSoggy Afternoon
Michael Lerch
ParticipantOverhead # 67
Michael Lerch
ParticipantCreepy Asperitas
Michael Lerch
ParticipantArizona Sunset #81
Michael Lerch
ParticipantNice colors Hans!
At the Studio
Michael Lerch
ParticipantThanks Hans, The industry is always pushing for faster lens, wider f stop, but as a cloud photographer I prefer depth of field ,not more light. A tripod takes care of lack of light especially around sunrise/set. I rarely shoot at less than f22 . F22 is where I like to Start at just for depth of field in the clouds. And yes, I’ve adjusted my normal ASA 100 to 250 over the years so shutter speed issues are kept to a minimum. Its realizing you may want good focus over miles instead of feet or yards that brings an appreciation for good ole pin hole diaphragm openings.
Another.. Monsoon #50
Michael Lerch
ParticipantLG, Thanks for the link. Its a interesting read that brings an opportunity to classify ” fog” for spotting purposes of course. I believe I’ve seen all the types. Yet it would be cool to have a appellation attached to each experience possibly as an aid in remembering the event. Motorcycling thru layers of valley fog is different than being awash in ” June Gloom” on a San Diego beach.
Michael Lerch
ParticipantBon Voyage Alec!
From the same session as the 2018 calendar shot
Michael Lerch
ParticipantMonsoon Nimbus #47
Michael Lerch
ParticipantThank you Keelin..aaammm not sure what colors you see but i think I get what you mean. The dense black is made to work in that pic along with the grays and white. The depth perception is played with by the struggling shades.
This one is a lot easier
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